Primal Scream frontman Bobby Gillespie has paid a touching tribute to his late bandmate Martin Duffy.
The band's 55-year-old keyboardist - who also played in the likes of Felt and the Charlatans - tragically suffered a brain injury from a fall at home on December 18.
And Bobby has spoken highly of his late bandmate, who he dubbed "the most musically talented of all of us".
He began: “Hard to write this. We never know how to speak around death other than polite platitudes. All I want to say is that our soul brother Martin Duffy passed away on Sunday. He suffered a brain injury due to a fall at his home in Brighton. We in Primal Scream are all so sad.
“I’ve known Martin since he was a teenager in Felt. He played keyboards on every album of ours from the first to the last. Finally joining the band in 1991. Martin was a very special character. He had a love and understanding of music on a deep spiritual level. Music meant everything to him.
“He loved literature and was well read and erudite. An autodidact. A deep thinker, curious about the world and other cultures. Always visiting museums in every city we played or looking for Neolithic stones in remote places. Opinionated and stubborn in his views.”
He continued: “He could play piano to the level where he was feted not just by his peers in British music, but old school master American musicians such as James Luther Dickinson, Roger Hawkins and David Hood and producer Tom Dowd.
“I witnessed a session at Abbey Rd in 1997 for a Dr John album where his record company had assembled a bunch of young Indie Brit musicians where Mac Rebenac (Dr John) seemed bored and uninterested in the session until Martin started playing, then suddenly the good Dr started knocking some funky piano chops and I instantly knew it was because his ears had pricked up when he heard Martin play and the session at last came alive.”
Bobby added: “Martin was the most musically talented of all of us.
“His style combined elements of country, blues and soul, all of which he had a God given natural feel for. He never played the same thing twice, ever. He was all about ‘the moment’, better have that ‘record’ button on when Duffy was on fire. His timing was unique, funky and ALWAYS behind the beat."
