Neo-soul singer-songwriter Worricka releases new single ‘Constitution’

Neo-soul singer-songwriter Worricka just released his captivating new single ‘Constitution’ on 20 July.

Having seen previous success under Joe Worricker, the multi-faceted artist releases his debut single under his new moniker in what he calls his ‘most authentic music to date.’

With a number of high profile accolades already under his belt, including a duet with Boy George on his This Is What I Dub collection, praise from Nina Simone’s daughter on his ode track ‘Nina’ and critical acclaim from key tastemakers such as The Guardian, BBC Radio 1, Music Week and many more, Worricka embarks on a new chapter with the release of ‘Constitution’.

With his rare, distinctively smoky vocal style, the high praise comes as no surprise. Colliding intensely autobiographical writing with a knack for fantastical, sometimes surreal wordplay, ‘Constitution’ once again showcases Worricka’s natural gift for telling compelling stories through his music, gliding over a beautifully crafted urban groove.

We caught up with Worricka to find out more...

Tell us about your new track 'Constitution'
It’s about the constitution of the mind and the battle between your positive and negative inner monologue. It’s a super spooky neo-soul vibe, and I’m especially proud of the lyrics. It’s me singing about my own personal craziness and how I navigate my way through it. As soon as you put a situation into a song, you’ve turned your experience into art and made something good out of your personal struggles

How would you describe your sound?
Neo-soul/soul/jazzy-RnB. Lyrically I’ve always played with elements of fantasy, so all my songs are autobiographical, but they blur the lines between real and surreal

What is your songwriting process? How does it all come together?
Sometimes I start from scratch with a producer, but with Constitution, I built all the parts of the demo up myself, wrote the chords and backing vocals first, then made up the verses over the top. I had the verses for this song maybe for 6 around months, then one day the ‘B section’ (the ethereal ‘there are angels in the sky’) part just came out in one go. Once I finished it, I brought it to my producer and he took everything to the next level

Boy George called you a 'jazz goddess'! How did that collaboration come about?
I was introduced to George through our mutual drag queen friend Lady Lloyd. They were on the way to a Vivienne Westwood fashion show in Paris (as you do) and Lloyd played him my music. George then invited me to perform with him at a charity gig at Jazz Cafe with himself, Paloma Faith, Adam Ant and others. Since then we’ve written, recorded songs and performed together. George believed in me when I’d lost my way a bit and didn’t really believe in myself. He has so much talent, wit and creativity.

What's next for you?
I’m writing new music right now and we also have a handle of singles finished and ready to share. The next release is a nod to disco and has an infectious energy about it