From the moment the taxi pulled up to the unassuming building that is St George’s Church in Brighton I knew we had an interesting night ahead of us.

Billy Bragg carries a history of political drive expressed clearly in his music – influenced by bands such as The Clash, Bragg‘s political interest awoke early on.

Whilst Joe Henry’s musical background isn’t as heavily littered with politics, his ability to tell a story is undeniable. So when the two decided to band together and record an album of old railroading songs on a railroad trip from Chicago to Los Angeles it was only ever going to end in something powerful – the current political madness emphasising the importance of their tour.
The venue was at capacity by the time the two took their places, and with barely a word they opened with “Railroad Bill”.

Bragg’s strong and deep vocals were carried by Henry’s harmonies and guitar, and the next four songs were played out alongside anecdotes from their journey across the States and some quips about Brexit from Bragg, as well as a surprising turn of events when Bragg skilfully yodelled in “Waiting For A Train”.

Henry then took centre stage, expressing his shame on behalf of the US for the recent election results and stating that he believes there is ‘a great distinction between Nationalism and Patriotism, and (America) has confused that’. He went on to perform “Trampoline”, his husky and haunting tones filling the church as if in prayer. We were treated to three more solo songs, including “Our Song” in which he accompanied himself on the piano.

The mood in the room tangibly changed when Bragg came forward– playing songs such as “Why We Build The Wall” and “Accident Waiting to Happen” there was no doubt that he was there to make a point. Getting the audience to join in in parts, the church venue felt evermore appropriate.

The two came together again to perform the rest of the songs from their album, giving “Rock Island Line” an energetic twist and ending with “KC Moan” for the encore they rightly deserved.

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